Saheb Biwi aur Gangster 3~ Royalty versus Baba!

Director/ Writer- Tigmanshu Dhulia

Cast- Sanjay Dutt, Jimmy Shergill, Mahi Gill, Chitrangada Singh

Best  Dialogues –

Saheb-  "I believe only three things can change our lives, dreams, suffering and love. Pareshaniyon se main nikalke aaya hoon, sapna main dekh raha hoon, aur pyar mujhe aksar ho jaata hai."

Biwi- "Sari galat adaten to apne lagayi, baki tabah hone mai is haveli ne sath diya. Yaha bure kaam karne ki lat lag jati hai."


Gangster- "Mere baare mein joh bhi suna hoga bura hi suna hoga, lekin main itna bura nahi hoon ki mere bagal mein khade hone se koi badnaam ho jaaye."

Gangster's Mistress- "Jab naam ke alawa kuch bacha na ho to naam ko bacha bacha ke chalna chahiye." 

Saheb Biwi aur Gangster franchise is a  story about a royal family of U.P. where Jimmy Sheirgill is Raja Aditya Pratap Singh and Mahi Gill is his wife, Rani Madhavi Devi. 

The first two parts were high-octane drama full of plot twists, volatile characters, good dialogues and sizzling chemistry between the lead pairs. Actors Randeep Hooda and Irrfan Khan had played gangsters in the previous films.

Tigmanshu Dhulia decided to add a star like Sanjay Dutt to add glamour to the film but guess his plan backfired. 

The story is supposed to be a saga of deceit, lust, ambition and revenge where the Biwi uses the Gangster to defeat the Saheb but ends up as a life saga of the gangster.  

The film starts with Sanjay Dutt as Uday Pratap Singh, a banished prince, who has made a fortune in London by playing Russian Roulette. A lot of time is wasted in establishing Sanjay Dutt's character, telling about his anger, his girlfriend, his family members which has no relevance to the story. The Baba theme track that accompanies Sanjay Dutt every time he says a winning dialogue, “He’s the baba.. dekho dekho dekho aya tera baap”, is the only memorable thing about the gangster's character.

Chitrangada Singh plays the role of a dancer and Uday Pratap's mistress. Neither she looks like a villager nor her accent helps her in fitting in the character. Her love scenes with Uday are boring as the character of the Gangster was supposed to be a raunchy man who loses his heart at every pretty face. To see the gangster settle into an easy romantic relation was a big turnoff. When the evil Biwi tries to flirt with him, an uncomfortable gangster tells her that there was no need of doing all this. It was like we went to watch "Jism" and ended up watching "Hum saath saath hai"!

  

Jimmy Sheirgill and Mahi Gill, who were instrumental in bringing success to the previous films get less chance to show their talent. Their scenes are poorly written and they end up looking like side character's in the gangster's story.

The film is full of character artists like Kabir Bedi, Nafisa Ali, Zakir Hussain, Deepak Tijori, Soha Ali Khan, Deepraj Rana who have nothing to do. Except few dialogues here and there and some fiery exchanges between Saheb and Biwi there is nothing entertaining in the film.

The climax was highly disappointing and though it hinted at a sequel I hope there is no 4th part.

The film was made at a budget of 20 Crore and has managed to earn just 3.8 Crore in 2 days which is less than what the first part made in 2011. The film is a disaster and will end up earning less than 10 Crore at the Box-Office.

In a line, the series was supposed to be a tale of power games, lust and deceit but the director's obsession with the gangster has lead to the death of this franchise.

Avoidable.

Parmanu~ Killing me softly..

Cast: John Abraham, Diana Penty, Boman Irani

Director: Abhishek Sharma

On 11 May 1998, Operation Shakti was initiated with the detonation of one fusion and two fission bombs. Later in a press conference Prime Minister Atal Bihari Vajpayee declared India a full-fledged nuclear state.

An event of such high magnitude and significance which made India a powerful force to reckon with required a much better portrayal on screen. The film could have created history if more importance was given to the story and screenplay than on John Abraham's lopsided smile.

First half is slow where the viewers are introduced to John Abraham's personal life and professional struggles which have no connection to the mission. A good writer could have outlined it in short and focused on the actual story. Boman Irani's entry adds some energy into a dull and lifeless film.

Diana Penty has few scenes and gets no scope to show her acting skills.

The story moves from Delhi to Mussoorie to Pokhran along with real TV footage of former PM Atal Bihari Vajpayee, US President Bill Clinton and ex Pakistani PM Benazir Bhutto to add facts to a fictitious story.

The successful mission was a result of the hard work of numerous agencies, scientists and engineers, who worked in absolute secrecy for decades but in the film the success is owed to a team of 5 people, occasional patriotic dialogues and lucky coincidences.

The last 20 minutes of the film managed to create a sense of urgency and the climax itself made the film worth a one time watch. Audiences would have totally ignored John's lethargic acting if the full film was as pacy and action packed as the climax.

In a line, Parmanu is not a film for fans of John Abraham but for those who have no idea of what happened in 1998.

Can be seen in theaters.

Mukkabaaz~ 'Ye pyaar nahi hai khel priye!'

Cast: Vineet Singh, Jimmy Shergill, Zoya Hussain, Ravi Kishan

Co-Writer and Director: Anurag Kashyap

Budget- 10 Crores approximately

Best Dialogue- "Jab boxer ko chot lagti hai to khoon coach ka hi behta hai."

If like me you also wondered that why is the film called Mukkabaaz, the director has kept an explanatory scene.

Ravi Kishan, the coach tells his student that he always wanted to be a boxer but he never got a chance to play professionally because he belonged to the lower caste..On streets people used to say.. "Wo dekho sala mukkabaaz ja raha hai".

So now he doesn't want his students to let go of the chance to be a professional boxer and tells them, “Ab ye tumhe tay karna hai ki tumhe mukkabaaz banna hai ya mukkebaaz”.

The film focuses on the caste system and the dirty politics in sports which is very prevalent in small-towns of U.P.

Shravan Singh, an aspiring boxer sees a girl at his coach Bhagwan Das’s house and falls in love. To impress her, he refuses to do the household chores which Bhagwan Das expects all his players to do. By mistake Shravan punches Bhagwan Das and he threatens Shravan that he will end his boxing career.

The film’s name suggests a film on boxing but most of the fighting in the film takes place outside the ring.

There’s a son fighting with his father who keeps taunting him for not landing a regular job like others. He tells him that he failed in studies because he wasn't a bright student. He doesn't mind telling his parents, “Jab aap dono shoonya hai to hum kaha se Aryabhatt ho jaye!

There’s a girl who is fighting with her mother that just because she can't speak she doesn’t want anyone to take pity on her or consider her a handicap. She wants to marry for love and do higher studies.

Then there is a honest coach who is fighting for his students.. He shaves off his moustache and when one of his students asks the reason he says, "jab tum mai se koi state jeetega tab rakhenge”.

There’s a Brahmin coach who for his greed for money and power destroys careers of aspiring boxers and crushes those who dare to raise a voice against him.

The characters are powerful and keep us entertained for the first half. The second half is darker and we cheer for the protagonist who despite the hurdles he faces, refuses to give up his dream.

The songs, Mushkil hai apna mail priye, Bahut hua samman, Bahut dukha man, Fir to ho gayi haathapai, Paintra are a part of the story and keep us involved in it.

Though I wonder what was Nawazuddin Siddiqui doing in a song which looked like a remake of the hit song, ‘emotional atyachar’ from DevD.

The climax of the film was beyond my understanding and  can be the reason for the mixed word of mouth.

The film had low buzz because of which it has earned less than 5 Crores in 4 days.

In a line, Vineet Singh is no hero material but the way he has transformed himself into Shravan Singh is commendable.

Can be seen in theaters.

Kaalakaandi~ LSD (It's not about love, sex or dhoka)

Cast- Saif Ali Khan, Akshay Oberoi, Kunaal Roy Kapur, Deepak Dobriyal,
Vijay Raaz, Sobhita Dhulipala,Amyra Dastur and Shehnaaz Treasury

Writer/ Director- Akshat Verma

Budget- 20 Crores approximately

Most informative Dialogue- You don't take LSD. You drop acid!

Kaalakaandi is a Marathi slang for when things go disastrously wrong.
The film is a dark comedy written and directed by Delhi Belly(2011) fame, Akshat Verma.

Life changes overnight for Saif Ali Khan (as we don't get to know his name till the end of the film) when he comes to know that depsite leading a healthy lifestyle he has stomach cancer and has just 3 months to live. To makeup for the lost time he decides to check off things to do from his bucket list. Though he only manages to get high on LSD and tell a transgender, "humko bahut curiosity hai aapke saman ke baare mai".

Along with Saif's story there are other stories of his brother getting married, two mafia henchmen planning to double cross their boss, a girl who has to catch a flight to the US to pursue her PhD, leaving her boyfriend behind because she thinks that they don't have the time, energy or money to get married.

Like Delhi Belly, the characters of Kaalakaandi are colourful and don't mind using provocative or abusive words as and when the script demands. So we have a drunk Shehnaz telling her BFF that she likes young boys because they follow you around and are always horny. A hot girl tells her timid boyfriend that she will teach Kamasutra to the whole country.

First half of the film is fast and keeps us rooted to our seats. The scenes where Saif is hallucinating from the effects of the acid are beautifully shot. We get to see dolphins on the streets, helicopter infront of the car and Saif holding a dropping comet on his hand.

After interval there is no surprise element and it looks like the director was in a hurry to link all the three stories.

The film was completed almost a year back but it's release kept getting postponed. Because of poor advertising and competition from Mukkabaaz, 1921 and Tiger Zinda Hai, the film managed to earn around 2 Crores in 2 days which is dismal considering the star cast.

In a line, despite having its moments, the film just starts and ends like an episode of a Hollywood series and has not a single memorable dialogue or well acted scene.

Avoidable.

Daddy~ Feared Gangster or a Victim of Circumstances?

Cast: Arjun Rampal, Aishwarya Rajesh, Nishikant Kamat, Farhan Akhtar

Director: Ashim Ahluwalia

Budget: 15 Crores approximately

Daddy is a biopic on the dreaded gangster turned politician, Arun Gulab Gawli, who was for a long time associated with major kidnappings, extortions, contract killings and other major crimes in Mumbai. The film covers a time span of 40 years and is told from the point of view of six different characters who were connected to him.

The film starts with a man being shot to death in his own home by two unidentified men.

Arjun Rampal as Gawli, wearing a Gandhi topi asks his daughter why on TV they address him as Robinhood. His daughter says, “Jo chor to hai par villain nahi”.

We are taken to the 70s when Mumbai's textile mill industry witnessed mass strikes and eventual lock-outs. Many people resorted to illegal activities like matka gambling and hafta-vasuli.

When one of Arun’s friend is murdered he is forced by other friends to join them in taking revenge and thus Arun commits his first crime. When in jail the witnesses refuse to identify him and he is released, his friends tell him, 'Bhai Ko tumhari daring ka pata chala’ and 'Bhai ka haath hai tumhare upar’.

So it feels strange when unlike his other friends Rama and Babu, Arun refuses to bow to the supremacy of “Bhai” even refusing to shake hands with him on Eid.

In the full film there are several characters who try to tell that Gawli didn't choose this line, he wanted to leave crime, because he was born in Dagdi Chaal and not in a posh area, he became what he was. In the end also there is a statement that although he used his power and henchmen to get lands cleared but that land was used by big businessmen for making their apartments or malls.

I haven't seen a gangster film where from the starting till the end we are made to believe that the gangster was indeed a victim of circumstances.

Arjun Rampal used prosthetics to make his nose look  like Arun Gawli but he fails to portray the character of a feared Don who had the guts to organise a shootout of Dawood. In a scene shot in prison he tells his wife “Mujhe yaha se bahar nikalo ye log mujhe marwa denge”. When the wife arranges for his bail he tells her, “Mai jail Mai hi rahunga, bahar ye log meri fielding lagaya hua hai, maar denge mujhe”..If the feared Don was such a weakling what was the need to make a film on his life?

Arjun Rampal as Daddy is as bad as it can get. His dialogue delivery is flat. He’s expressionless in most of the scenes. Even when he tells the girl he’s attracted to, “Tu mujhe mast lagti hai” his voice has no energy.

In a scene, Arun & his ladylove are watching Hema Malini's, Dreamgirl in a theater. His friend, Rama, is making out with a girl in the back seat. Arjun looked as clueless in this scene as if was blackmailed to come to the theatre. Marathi actor, Rajesh Shringarpure as Rama outshone Arjun in many scenes.

Another actor who gives strong competition to Arjun Rampal in the poor acting department is Farhan Akhtar who plays the role of Dawood.

Although the film starts with a disclaimer that it is based on a true story, the name of Dawood is changed to Maqsood.

The only way we can connect Farhan's character to Dawood is that throughout the film he keeps wearing big shaded glasses. He is shown in every third scene but hardly has any dialogue worth mentioning. He’s shown watching cricket (so the audience can guess that he's a part of the Betting Syndicate).

Director, Ashim Ahluwalia made his debut with Miss Lovely in 2014 for which he won Special Mention Jury, National Award. In an interview before the release of the film he said that other directors were unsuccessful in presenting the real Mumbai of 80s. As he has lived through those dark alleys and conjusted areas he knew what Bombay was like in that time.

He has managed to recreate Dagdi Chaal and other shady areas. The crew also shot in areas where Gawli’s biggest rivals lived, an environment that was openly hostile to them.

In an interview Ashim also said, “I like putting people in this insanity. It is not healthy but it is very good for the movie. Taking people into really difficult locations and getting them out of their comfort zone. You are on edge there because you are getting yelled at by real gangsters or there are rats falling from the ceiling.”

All these background preparations would have worked if we had powerful actors in the key roles who had better dialogues to say.

The only actor who clearly shines in this dark film is Nishikant Kamat who plays the role of Inspector Vijaykar Nitin. He's non-affected by the sob-stories of Gawli’s friends and family and thinks that it would have been better if he had done Gawli’s encounter when he got the chance.

The film was released in approximately 700 screens and made less than 5 Crores in its opening weekend. It will be a difficult task for the film to recover it's budget.

“In a line, Daddy could have been more entertaining if the director focused more on making the lead actors act than on creating the perfect background.”

Timepass. Can be seen in theatres only if you like to watch documentaries on gangsters.

Baadshaho~ Masala entertainment with solid dialoguebaazi

Cast: Ajay Devgan, Emraan Hashmi, Vidyut Jamwal, Ileana D'Cruz, Esha Gupta, Sanjay Mishra

Story & Screenplay- Rajat Aroraa

Director: Milan Luthria

Budget:  60 Crores

Best Dialogue: “Wo ishq hi kya jo salaamat chhod de”

In June, the first teaser of Baadshaho was released which said that 2017 was going to be the year of the 'Bad’. The teaser was full of stunning visuals, drama and punchlines like “Chaar din ki zindagi hai aur aaj chautha din hai ye soch ke itne saal nikal diye” and "Sharam aur Mai to ek sentence Mai nahi ate hai Madam".

The songs, “Mere Rashke Qamar” and “Piya More” became instant hits on their release.

Baadshaho is completely shot in Rajasthan and is a fast paced, action packed entertainer.

Ileana D'Cruz plays the role of Rani Gitanjali and the full story revolves around her. During emergency the gold hidden by her in her palace is confiscated and is being transported to Delhi by road. How she stops the gold from falling into wrong hands makes the plot of the film.

Ajay Devgan as Bhawani brings back the charm of the larger than life hero. He entertains the audiences with his soulful eyes and powerful dialogues.

Emraan Hashmi makes his entry as a 'rangeen’ character with the famous 'Piya More’ song featuring Sunny Leone. His scenes with Esha Gupta and Sanjay Mishra keep the audience entertained throughout the film.

Sanjay Mishra as Guruji is the big surprise package of the film. Everytime he says a line the audience whistles and claps.

Vidyut Jamwal as Officer Samar Singh is shrewd and dangerous. He’s a man on a mission and his sincerity woos the audience.

Esha Gupta aptly dressed in clothes which were in fashion in the 70s adds to the glamour quotient.

There is more to these characters then what meets the eyes and they have their own hidden agendas.

In a turn of events Emraan Hashmi tells a puzzled Esha, “Dosti pakki hai, Khatra apna apna”.

With interesting episodes unfolding one after another, the film keeps us glued to our seats till the end.

The film was released in 2800 screens and has earned almost 28 Crores in 2 days. It's a single screen entertainer and is getting appreciated by the masses.

In a line, the film is fast paced, high octane action film with powerful/comic dialogues which make you smile even during tense episodes.

Paisa-wasool. Good one time watch.

A Gentleman, Sundar ✔️ Susheel ✔️ Risky ❌

Directors: Raj and DK

Cast: Sidharth Malhotra, Jacqueline Fernandez, Darshan Kumar, Suniel Shetty

Budget- 50 Crores

Raj & DK are an Indian/ American film director duo known for their unique sense of style and humor. In 2013 they made India's first zombie film, Go Goa Gone which earned almost 25 Crores. Happy Ending (2014) wasn't a box office success but it's still remembered for the comedy scenes between Govinda and Saif Ali Khan.

Sadly their latest film, A Gentleman is neither unique nor very entertaining.

The film has not 1 or 2 but 4 party songs Chandralekha, Baat ban jaye, Dil Disco Disco and Bandook Meri Laila and the music album would have surely found a place in parties and discos.

The first half goes in telling about the lives of the two characters, Rishi and Gaurav, played by Siddharth Malhotra. 

Sidharth looks good and performs his roles with sincerity but the story and characters are so average that they hardly manage to hold our interest for long.

Jacqueline Fernandez is the new Katrina Kaif. Her only role in a film is to add glamour in the scenes, say some dialogues and do some difficult dance steps. Infact she is her best when she is dancing. (You must remember her dance moves in Sau tarah ke Rog from Dishoom). 

The film starts with this dialogue

“Jab jab jiske lagne hai ... tab tab uske lagte hai ... ab use ittefaq kaho ya phir what the f* ck!!”

From here the quality of the dialogues worsened and we have Gaurav's best friend Dixit who is pronounced by all Americans as ‘Dik-Shit’(how original!) telling him , 'I like thug-life’.

Then there is a scene where the hero asks the heroine,’ Tumne gaadi chalana kaha se seekha?’ and she answers, 'X- Box se’.

As if the directors were also under the influence of X-Box, there were long chase scenes full of gun shots and racing cars or bikes.

During the action scenes I really felt that playing “Call of Duty” would have been more entertaining.

Expert actors like Supriya Pilgaonkar and Rajit Kapoor have just 2 scenes in the film.

Sunil Shetty makes a  very disappointing comeback. The star known for his superb action skills has not a single action scene and is reduced to giving instructions to his protegees.

Darshan Kumar, who made an impressive debut through Mary Kom (2014) has a very forgettable role.

The film is mostly shot in Miami and Mumbai. There are few scenes in Goa and Bangkok too. When Dostana came in 2008, people used to lust at the blue beaches and bikini babes and think,”Wow, I’ve to go to this place.” But now most of us watch so many Hollywood series and films that we expect more than exotic locations.

Despite good promotions and publicity the film earned less than 16 Crores in 5 days. The film wouldn't cross the 20 Crores mark thus making it Siddharth Malhotra's lowest earner till now.

In a line, if you are a Sidharth Malhotra fan then for Sundar, watch Student of the Year, for Susheel, watch Kapoor and Sons and for Risky, watch Ek Villain.

Timepass. Avoidable.