Showing posts with label Rajat Kapoor. Show all posts
Showing posts with label Rajat Kapoor. Show all posts

Friday, 27 May 2016

Waiting ~ Changing Definition of Love

Release date- 27th May 2016

One word which describes the film- 'Coming to terms with'

Best Dialogue- 
Kalki- 'I have 5680 followers on and when I need someone, how many people are with me, ZERO.'
Naseer-'What is ?'
Genre- Drama/ Comedy


Producer- Priti Gupta, Manish Mundra

Story- Anu Menon, James Ruzicka, Atika Chohan

Direction-Anu Menon


Budget- 6 Crores approximately including P & A

All of us who have read Erich Segal's, 'Love Story' must remember this phrase, 'Love means never having to say you're sorry'. But what if you have to and don't get the chance to say Sorry?
This film is about two people finding solace in each other's company while waiting for their spouses to recover. Though the full film is shot in or around the waiting room of a hospital, it's not at all about sickness or misery. It's about how two people, poles apart from each other, influence each other and help the other to fight grief.
Kalki is The Pretty Young thing, who is popular on Facebook and Twitter, uses F words in every sentence and is closer to her friends than family. She gets a reality check when she is all alone at the most difficult time of her life.
Naseeruddin Shah is the retired professor whose wife is his only family. He is ready to save her life at any cost.
There are small incidents in the film through which the director has tried to show how lives of people change when they start sharing their inner fears and thoughts with others.
Like Naseeruddin Shah in the start of the film is shown wide awake even before his clock alarm rings. Then in the next scene when he is a bit relaxed, he sleeps peacefully and is woken up by the alarm. Later, when he is troubled by uncertainty, he is nervously sitting on his bedside when the alarm goes off.
Both the characters enrich each other with their lifestyle. First we see Kalki trying to explain to the old professor what Twitter is. She says it's like a notice board where we post our thoughts and then others comment on it, with the final goal of increasing followers. A puzzled professor asks her, what's the purpose of it?
Then later Kalki asks him how he is so cool about the situation and he explains to her how their whole condition can be divided into five phases of denial, anger, bargaining, depression and acceptance and when you reach the last phase of the situation you become 'Zen'.
He teaches an atheist Kalki how faith is a good coping device and just changing sides once in a while can be good for one's peace of mind.
Once Kalki confesses that,'I just realised that in a country of 1 billion, you are the only one who gets me and you don't know what 'Twitter' is. 
So what is 'lovely' for the old professor is 'hot' for the young girl. Though by the end even Kalki is surprised when the shy professor uses the 'F' word.
Apart from the bond the two central characters develop with each other, the film also deals with Doctor-patient relationships, and how the patient's family members start questioning the doctor's decisions when they are not in sync with their expectations. 
Rajat Kapoor, the doctor in charge of taking final decisions, is sometimes calm and sometimes in anger when he tries to make the family members explain that his job is to take the best decision for his patients. He is very endearing when he trains a junior doctor on how to impart news to the patient's family members.
There are so many similar moments in the film which make it such a refreshing and delightful watch.
In a line, the film explores the different levels of human relations in such a simple way that at places we identify ourselves with the central characters.
If you believe in love and relationships then you must watch this film. Good one time watch.  

Wednesday, 5 August 2015

Review of Drishyam

Release date - 31'st July 2015


One Word which describes the film - Riveting


Best Dialogue- पुलिस के पास एक ही सबूत है, हमारा डर।

Genre - Thriller/Drama


Music -Vishal Bhardwaj 


Producer - Kumar Mangat Pathak, Ajit Andhare

Abhishek Patha

Cast -Ajay DevganShriya SaranTabuIshita Dutta, Rajat Kapoor

Budget- 40 Crores approximately

Drishyam, directed by Nishikant Kamat, is a remake of the 2013 Malayalam film of the same name. Ajay plays Vijay Salgaonkar, a cable TV operator in a Goan location who in a turn of events has to fight against a strong opponent IG Meera Deshmukh. It's a game of wits and a single mistake can have adverse effects on his family. 


In 1994, Tabu came into prominence with her role in Vijaypath opposite Ajay Devgan for which she received the Filmfare Best Female Debut Award. If you are a Bollywood movie lover you can not forget Tabu in the ruk ruk ruk are baba ruk song, for which she received the tag 'thunder-thighs'.
After 21 years they are back in an equally electrifying chemistry where love has been replaced by fear.

The first half of the film is very slow and focuses on the close knit family, the husband who stays awake at night in his office for his passion for films, the wife and kids who love him and don't come in the way of his passion. From the family the focus shifts to other residents of the village, the local coffee shop owner, the contractor and the corrupt policeman. Too much time is spent in tea and gossips in the local coffee shop and we wonder when will the film catch speed.
Just before interval Tabu makes her entry and after that slowly and steadily the film catches speed. We wait eagerly for every scene which takes us on a journey of fear, suspense and thrill and the mind shattering climax totally makes up for the slow start.

Ajay Devgan as Vijay is not only believable but also immensely likeable. Though he is neither like the powerful Singham or the dumb Gopal but his brooding eyes look right into your soul and make you fall in love with him. 

Tabu in her no makeup look, looks gorgeous. She has given such a range of expressions that in some scenes even when you know she is right, you hate her.

The film is a scene by scene copy of the Malyalam film so if you have seen the dubbed version or already know the story, then there is not much there for you.

In a line, if you are a Ajay Devgan fan, then you must see this film for him.

Time-pass. Can be seen in theatres for the thrilling second half.